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Succession Season 4 Review: Buckle up, it’s going to get intense

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dirty: After three seasons, Roy’s reign of terror is set to come to an end, as one of TV’s most vicious families has gone all out after Knives’ explosive third season finale. Succession. A few months after a betrayal-filled Italian wedding, Waystar Royco is still on the verge of being sold out by patriarch Logan (Brian Cox), while siblings Kendall (Jeremy Strong), Roman (Kieran Culkin) and Chef (Sarah Snook) plot to create their own media empire. .

On the sidelines, as usual, is Schiff’s estranged husband Tom (Matthew Macfadyen), who has successfully maneuvered himself into being one of Logan’s favorite advisors, while still finding time to torment poor cousin Greg (Nicholas Brown). And with the election looming, older brother Connor (Alan Ruck) continues to campaign, holding on tightly to his 1% position in the polls, even though his upcoming wedding to Willa (Justin Loeb) may help his campaign….

Beginning of the End: If you don’t know, go to Season 4 of Succession, that it was the final season of the Emmy Award-winning juggernaut, you’re still a ways away from the first four episodes and you’re pretty sure this story will come to an end. Creator Jesse Armstrong and the writing staff come forward with their plot choices as the season approaches its climax; In other words, Fudge is hitting the fan really hard as Season 4 progresses, and clearly more fireworks are to come.


Accordingly, there isn’t much to say about the narrative without drifting into spoiler territory, although Connor’s wedding does play an important role in these early episodes, with his attempts to celebrate his impending nuptials as you might expect given this. Attitudes towards romance and happy endings are shown.

Amy for Sarah Snook! For an opinion as low as that of personalities about the common people, Succession It remains a shining example of a show that refuses to treat its audience as stupid. The dialogue remains as whip-slashing as it is brutal, moving from insult to insult at a lightning pace — the writing staff seems to have an endless supply of ways for its characters to put each other down.

Meanwhile, the show also indulges in the slightest hints of context for some of its references, never really supportive of explaining things that might be esoteric. Take Kendall’s sales pitch for his new sibling attempt: “Substack meets Master Class The Economist Meets The New Yorker—at least to this viewer’s ears, there wasn’t a lot of clever stuff that sounded so stupid when mixed together, but the writers don’t hang a lantern on how ignorant Kendall is here.



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